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[Journal title = "Henryk Siemiradzki and the International Artistic Milieu"]
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Henryk Siemiradzki and the International Artistic Milieu (25)
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Maria Nitka (red.)
Agnieszka Kluczewska-Wójcik (red.)
Henryk Siemiradzki and the International Artistic Milieu | 2020
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Henryk Siemiradzki’s painting on the european market of photographic reproductions of works of art
Anna Masłowska
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 279-293
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”Thinks like Dante, handles paints like Boccaccio”. About Henryk Siemiradzki in Vienna
Lidia Gerc
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 261-278
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Henryk Siemiradzki on the world and international exhibitions
Veronica-Irina Bogdan
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 253-259
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Marketing academism? Henryk Siemiradzki’s strategies of display
Agnieszka Kluczewska-Wójcik
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 237-251
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Frederic Leighton and the poets
Leonée Ormond
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 223-236
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Siemiradzki and the three bards
Waldemar Okoń
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 215-222
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An academician in a Roman slaughterhouse
Maria Poprzęcka
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 201-213
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Henryk Siemiradzki’s decorative paintings in the context of early-modern art in Rome and Venice
Marzena Królikowska-Dziubecka
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 191-200
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The limits of painting: theatrical curtains by Henryk Siemiradzki
Agnieszka Kuczyńska
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 181-189
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Visuality on display. Henryk Siemiradzki’s “fetishization of sight”
Agnieszka Rosales Rodríguez
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 171-180
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Henryk Siemiradzki. In monastic silence
Tatiana Karpova
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 155-169
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Naked truth and beauty of the nude in Henryk Siemiradzki’s
Phryne
Maria Nitka
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 135-153
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Inspiration – selection – function. An ancient object in Henryk Siemiradzki’s paintings
Grzegorz First
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 103-118
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Programme related content in
The Judgment of Paris
by Henryk Siemiradzki
Witold Dobrowolski
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 87-102
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Some ideas about a French Artist of The Time of Louis XV Paints the Portrait of a Marquise by Henryk Siemiradzki
Nina Markova
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 73-85
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Henryk Siemiradzki and his private correspondence with Polish painters in St. Petersburg and Munich in The Collection of The National Museum in Krakow
Kamilla Twardowska
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 63-72
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“Do We Need a Russian Academy in Rome?” Henryk Siemiradzki and Art Education
Leila S. Khasianova
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 53-62
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Russian Artists in Rome: The Era of Henryk Siemiradzki (based on The Anniversary Exhibition at The State Russian Museum in St. Petersburg)
Pavel Klimov
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 35-51
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Siemiradzki’s Rome
Petra Ten–Doesschate Chu
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 21-34
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Introduction II
Maria Nitka
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 17-20
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Introduction
Jerzy Malinowski
Henryk Siemiradzki and the International Artistic Milieu | 2020
| p: 7-16
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Indice
Maria Nitka (red.)
Agnieszka Kluczewska-Wójcik (red.)
Henryk Siemiradzki and the International Artistic Milieu | 2020
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Prime pagine
Maria Nitka (red.)
Agnieszka Kluczewska-Wójcik (red.)
Henryk Siemiradzki and the International Artistic Milieu | 2020
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